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M-Audio iZotope SPECTRON
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€119.00

ALL PRICES 20% ITALIAN VAT INCLUDED!

 

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Specifications

complete spectral effect toolbox > the only time-based effect you need
spectral morph, filter, pan, delay, and smear > full palette of sonic effects
warp, twist and shape your synths and samples > breathe new life into any sound
manipulate frequencies individually > totally unique effects
immersive, easy-to-use graphic user interface > intuitive operation
details
Spectron is the next generation of spectral effect plug-ins, allowing unmatched control over audio by frequency. Add delay to only the snare or pan only the hi-hat—on a drum track that’s already mixed! Give your guitar a delay, but only on the high notes. Make your bass ring down low, but stay clear and dry up high. For effects that are subtle or out of this world, Spectron is the one-stop spectral toolbox.

Spectron splits audio into thousands of frequency bands, applies independent delay, morph, filter and pan effects, and then resynthesizes the processed audio into an entirely new sound. Using this unique control over individual frequencies, Spectron can sound like a phaser, flanger, chorus, ensemble, vocoder or entirely new classes of effects. Spectron is perfect for radio spots, loop and sample manipulation, sound effect design, and electronic and dance music production.
Audio Samples

Click here to listen Spectron audio samples

iZotope Videos


 

Spectron’s Secret—Spectral Nodes

Even though Spectron’s approach to processing is unique, the Spectron interface relies on standard controls. The Spectron effects are manipulated by Spectral Nodes which behave like the nodes of a parametric EQ with control over frequency, amount, bandwidth, and shape. Beyond the basic node operation, you can use Spectron Nodes with LFOs and envelope triggers to open another level of creativity. The frequency, amount, shape and width automate with advanced control over speed and patterns not possible with normal automation. For example, you can set up a volume trigger effect allowing you to control the amount of delay based on how loud you play your instrument!

Looking for a New Sound?

Spectron was designed with creativity and originality in mind. With Spectron, you can easily create effects that aren’t possible with analog hardware, thus inspiring new ideas for creating intricate and evolving soundscapes. Looking for something a little more subtle? It’s just as easy to use Spectron to add coloration with flanges, spatialization, or light filter sweeping. Read about how producer Atticus Ross used Spectron this way to process Jonathan Davis’ vocals for a “cold” sound.

Spectron on the Silver Screen

Spectron is the ideal tool for atmospheric soundscapes and special effects for film, video and game sound design. Create an eerie, extra-terrestrial setting by simply applying panning and delay to parts of a string or other pad patch. Use left-right filtering to simulate a sound source coming from a specific point around the subject of a scene. Make explosions come to life by morphing your stock explosion sound with a car crash effect or a screaming vocal. Read how sound designer Aaron Glascock creates organic, yet unfamiliar sounds in "War of the Worlds" and other blockbuster.

Extend the Life of Your Loops and Samples

Every sound designer, producer and electronic musician has at least one set of loops and samples sitting around. Save yourself some time and money and let Spectron turn those old, worn-out samples into multitudes of new and exciting sounds. Add a sense of space to your drums with panning, turn your basses into malfunctioning robots with harmonic delays, and make your vocal samples burst into a chorus of pipe organs with morphs.

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Tech Sheet


64-bit internal processing
up to 192kHz sampling rate
spectral domain processing
incredible, never-before-heard sound-shaping possibilities
quickly create new sound transformations
elegant, easy-to-navigate interface
includes variety of excellent presets
morphing for vocoder-style effects
delay with independent feedback control
4-stage chorus/flanger effects
fully-automatable, triggered filters
frequency-selective panning
superior stability
CPU-efficient
supports automation
comprehensive preset library
excellent documentation




Live 4
Cubase SX 1.0.6 and later (PC/Mac)
Nuendo 1.61 and later
Logic 6.4.1 and later
ACID 4.0 and later
SONAR 1.0 and Later
Pro Tools (RTAS/AudioSuite/HTDM)
other hosts supporting Audio Unit, DirectX, or VST
M-Audio interfaces



450 MHz processor
Windows 98SE, Me, 2000, XP*
 
* Home and Professional Edition only. Windows Media Center Edition is not currently supported.



G4
OS X 10.2

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